Exhibition · Lagos · 11 September 2026
The living spirits of Onitsha — ancestral masquerade traditions rendered in the bold palette and vernacular figuration of REWA's practice. Presented in Lagos within From Promise to Powerhouse: Building Africa's Next Era, the Aliko Dangote Foundation's convening with the World Economic Forum.
Embodied Spirits draws from the rich masquerade traditions of Onitsha in Igboland — living cultural ceremonies where ancestral spirits cross into the physical world through elaborate costume, movement, and ritual. Each masquerade carries distinct meaning: some are guardians of social order, others are ambassadors of beauty, and still others embody the raw, untamed energy of youth.
At the centre of this body of work is the Ijele — the largest and most magnificent masquerade in all of Igboland. A towering spectacle of colour and symbolism, the Ijele emerges only on the most significant occasions, accompanied by the thundering rhythm of the Igba Ino (four drums). It is a monument to communal pride, carried forward across generations.
Alongside Ijele, the series explores the Agbogho Mmuo — the maiden spirit, known for its graceful choreography and vibrant regalia — and Otu Iche, a fierce and confrontational presence seen during Iwaji festivals and youth initiation rites. Together, these masquerades form a constellation of spiritual, social, and aesthetic meaning that REWA translates into her signature bold figuration.
The series also takes in Izaga, who crosses fences and boundaries on stilts with a machete in hand, and Mmuo Ogonogo, of Igala origin, tall and majestic, called upon for the final burial commendation, for initiation into the masquerade cult, and for the checks and balances that hold a community together.
This series is a homecoming — a return to the cosmology and ceremony of REWA's Igbo heritage, rendered with the same unflinching directness and chromatic power that defines her wider practice.
Ijele
2026 · Acrylic and ink on canvas · 9 × 9 ft
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Agbogho Mmuo I
2026 · Acrylic and ink on canvas · 6 × 4 ft
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Otu Iche
2026 · Acrylic and ink on canvas · 6 × 6 ft
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Agbogho Mmuo II
2026 · Acrylic and ink on canvas · 6 × 4 ft
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Izaga
2025 · Acrylic and ink on canvas · 9 × 4 ft
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Mmuo Ogonogo
2026 · Acrylic and ink on canvas · 9 × 6 ft
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Ijele (Studio)
2026 · Acrylic and ink on canvas · 9 × 9 ft
From the Field
The masquerades as they appear in life: the mass of the Ijele, the bells at the ankles, the turn of appliqué and raffia. This is the source material the paintings are drawn from.
Agbogho Mmuo: Masquerade in Motion
Bells at the ankles, raffia mid-turn
Otu Iche
A dense mass of raffia and fur, mid-dance
Ijele in Procession
The largest masquerade in Igboland, turning with its drummers
Ijele at Full Height
Tiered figures, mirrors and appliqué carried above the crowd
Before the Elders
Ribbon panels catching the air, mid-step
5 films · swipe to see them all
Listen
The masquerades do not move in silence. Drummers travel with them and play live wherever they appear, so the dance answers the drum and no two performances are the same.
Played live beside the masquerade. Igba ino, the four drums, with ichaka, okpokolo and ogene.
Played live as the maiden spirit enters, and she dances to it.
The Opening
Embodied Spirits opened at Gaia Africa Club, Victoria Island, on Friday 11 September 2026, within the Aliko Dangote Foundation's convening with the World Economic Forum's Forum of Young Global Leaders. The Agbogho Mmuo danced after the opening address; the Ijele closed the night.
To enquire about works from Embodied Spirits: Masquerades of Igboland, or for press and curatorial requests:
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