Exhibition · Lagos · 11 September 2026

Embodied Spirits
Masquerades of Igboland

The living spirits of Onitsha — ancestral masquerade traditions rendered in the bold palette and vernacular figuration of REWA's practice. Presented in Lagos within the Aliko Dangote Foundation's convening, in collaboration with the World Economic Forum.

ExhibitionGaia Members Club, Victoria Island
DateFriday 11 September 2026
Download the catalogue High resolution  ·  46 MB
Ijele — REWA

Spirits Made
Visible

Embodied Spirits draws from the rich masquerade traditions of Onitsha in Igboland — living cultural ceremonies where ancestral spirits cross into the physical world through elaborate costume, movement, and ritual. Each masquerade carries distinct meaning: some are guardians of social order, others are ambassadors of beauty, and still others embody the raw, untamed energy of youth.

At the centre of this body of work is the Ijele — the largest and most magnificent masquerade in all of Igboland. A towering spectacle of colour and symbolism, the Ijele emerges only on the most significant occasions, accompanied by the thundering rhythm of the Igba Ino (four drums). It is a monument to communal pride, carried forward across generations.

Alongside Ijele, the series explores the Agbogho Mmuo — the maiden spirit, known for its graceful choreography and vibrant regalia — and Otu Iche, a fierce and confrontational presence seen during Iwaji festivals and youth initiation rites. Together, these masquerades form a constellation of spiritual, social, and aesthetic meaning that REWA translates into her signature bold figuration.

The series also takes in Izaga, who crosses fences and boundaries on stilts with a machete in hand, and Mmuo Ogonogo, of Igala origin, tall and majestic, called upon for the final burial commendation, for initiation into the masquerade cult, and for the checks and balances that hold a community together.

This series is a homecoming — a return to the cosmology and ceremony of REWA's Igbo heritage, rendered with the same unflinching directness and chromatic power that defines her wider practice.

Ijele — REWA

Ijele

2026 · Acrylic and ink on canvas · 9 × 9 ft

Agbogho Mmuo I — REWA

Agbogho Mmuo I

2026 · Acrylic and ink on canvas · 6 × 4 ft

Otu Iche — REWA

Otu Iche

2026 · Acrylic and ink on canvas · 6 × 6 ft

Agbogho Mmuo II — REWA

Agbogho Mmuo II

2026 · Acrylic and ink on canvas · 6 × 4 ft

Izaga — REWA

Izaga

2025 · Acrylic and ink on canvas · 9 × 4 ft

Mmuo Ogonogo — REWA

Mmuo Ogonogo

2026 · Acrylic and ink on canvas · 9 × 6 ft

Ijele (Studio) — REWA

Ijele (Studio)

2026 · Acrylic and ink on canvas · 9 × 9 ft

From the Field

Spirits in Motion

The masquerades as they appear in life: the mass of the Ijele, the bells at the ankles, the turn of appliqué and raffia. This is the source material the paintings are drawn from.

Agbogho Mmuo: Masquerade in Motion

Bells at the ankles, raffia mid-turn

Otu Iche

A dense mass of raffia and fur, mid-dance

Before the Elders

Ribbon panels catching the air, mid-step

Ijele in Procession

The largest masquerade in Igboland, turning with its drummers

Ijele at Full Height

Tiered figures, mirrors and appliqué carried above the crowd

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